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America Sung (continued)
And of course, there were no FastPass users clogging the walkways and making uninformed tourists
grumpy. The annual passholders didn't exist in 1988; most families visited once a
year (which kept crowds more manageable), but they spent more on each visit.
Having that kind of audience helped encourage management to keep all rides and
all restaurants open very late.
You could go in a different direction and choose Disneyland perfection on the
basis of theme. Here 1988 would be a bad choice, since America Sings really did
not belong in Tomorrowland (it's one of the attractions I think about when
people muse that theme park reception would have been different in the past if
the Internet had been around in those years, with critics - myself included -
would have been able to weigh in easily).
You'd probably have to travel back in time to Walt's day, or something very
close to it (maybe his death in 1966?), to find a high point in terms of theme.
Looking at today's Disneyland, one could be forgiven for thinking that
Fantasyland has colonized the rest of the park. Winnie the Pooh, cartoon Autopia
cars, Tarzan, and Buzz Lightyear are only some of the more prominent ways that
the park lands no longer represent what they used to. Other examples over time
would be the Toy Story characters in the Golden Horseshoe or Aladdin taking over
the Tahitian Terrace.

Winnie the Pooh belongs in
Fantasyland, right?
The lands used to stand for reality. Tomorrowland was not meant to be future
fantasy, it was meant to be optimistic futurism, i.e., reality. Frontierland was
to be the 1860s, again a representation of reality. Adventureland was to be the
jungles and exotic locales that Westerners knew little about, once more
something from reality. Critter Country and its forebear Bear Country did not
exist in Walt's time. New Orleans Square did, and it was solidly based on a real
place. Main Street was, and largely still is, based on a turn of the century
American town. While Disney live-action films did land in Disneyland (True-Life
Adventures for the Jungle Cruise and Nature's Wonderland, the Swiss Family
Robinson, Davy Crockett, etc), the animated films were strictly held to
Fantasyland.
The question becomes whether the strong theme of 1966 makes a better
Disneyland than the beefed up 1988. In 1988, the theme has begun to drift, but
you can also find several things missing in 1966, such as Space Mountain, Big
Thunder Mountain, Captain EO, and Star Tours. It could be reasonable to find a
date between 1966 and 1988 as the high point. Maybe 1986, when Adventure Thru
InnerSpace closed to make way for Star Tours? Or 1975, before they started
clearing land for Space Mountain (why hate Space Mountain? Because it represents
the start of roller-coasters and height requirements at Disneyland, and the
splitting up of the family that Walt abhorred. The Matterhorn was around before
then, but had no height requirement).

The short-lived brown Space
Mountain of the late 1990s.
I choose the simpler argument. 1988 was the last time Disneyland operated at
full capacity, and thus had the most modern rides possible in the "full
capacity" years. I'm aware that the argument about theme represents a compromise
for me, but there doesn't seem to be a way to choose a winner without
compromise.
And you know what? I'll admit it. As much as America Sings was out of place
in Tomorrowland, it was fun. It was old-school Disney, vintage Marc Davis, and
just a rollicking good time; I do miss it. The slide since then has
had its ups and downs, and Disneyland is nowhere near unworthy of our attention
at any point, but to my mind, there has been a slide nonetheless.

We'll miss you, America
Sings!
Introduction
Yankee Doodle - Eagle Sam
Jeannie with the Light Brown Hair - Eagle Sam
Pop Goes the Weasel - Ollie and the weasel
Act 1, The Deep South
Dixie / L'il Liza Jane / Camptown Races - Geese Quartet
My Old Kentucky Home - Colonel Houndstoothe - Bassett hound in rocking
chair
Polly Wolly Doodle - The Swamp Boys - gator trio, frogs and
harmonica-playing raccoon
Single Girl - mother possum
The Birmingham Jail - coyote
Down By The Riverside - hens, foxes, Swamp Boy frogs
Act 2, The Old West
Drill, Ye Tarriers, Drill / I've Been Working on the Railroad / Fireball
Mail - Geese Quartet
The Old Chisholm Trail - Saddlesore Swanson
Who Shot That Hole in My Sombrero? - Sombrero-wearing dog
Billy, the Bad Guy - The Boothill Boys - vulture duo
Home on the Range - Tex Ranger (a dog)

Act 3, The Gay '90s
She May Be Somebody's Mother / The Bowery / After the Ball is Over -
Geese Quartet
Where is my Wandering Boy Tonight? - Geese Quartet & Mother Rabbit
Won't You Come Home Bill Bailey - Showgirl Pig
Sweet Adeline - Blossom-Nose Murphy (goose) & Geese Quartet
The Old Grey Mare - The Old Gray Mare & Geese Quartet
Bird in a Gilded Cage - Bird in a Gilded Cage and Fox
Ta-ra-ra Boom-de-ay - Storks, Geese Quartets (male and female), Pig,
Bird in a Gilded Cage and Fox
Act 4, Modern Times
Ja-Da / At the Darktown Strutters' Ball / Singin' in the Rain - Geese
Quartet
A-Tisket, A-Tasket / Boo-Hoo - College Quartet (male wolf, male fox and
two female cats)
Beat Me Daddy, Eight to the Bar - piano pig
Hound Dog / See You Later Alligator - rooster, stork, porcupine, hound
dog and alligator
Shake, Rattle and Roll - rooster and frog
Twistin' U.S.A. - Motorcycle storks
Joy to the World - Modern Times cast (except Piano Pig and College
Quartet)
Epilogue
Yankee Doodle (reprise) - Eagle Sam
Auld Lang Syne - Sam and Ollie
Exit Music: Stars and Stripes Forever

Before the iPod we had LPs.
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