I have some more material about alterations to the Magic Kingdom, which I’m happy to share with you here today. Not all of this is “breaking news” (you may have read about much of this on other websites), but since it is recent, plus the fact that Team Disney Orlando is actually going ahead with these and many other rehabs and upgrades, makes it worthy of discussion.
Haunted Mansion: Grim Grinning?
It’s been busy at the Magic Kingdom. At the Haunted Mansion they’ve opened a new queue, and altered the ending significantly. Both changes have been a touch controversial among the online crowd, but I have to admit: I like both alterations. Let’s take a look at the queue enhancements today..
The queue is optional. You can take the “regular” route, or detour to the new area, and rejoin the main line later. Obviously, taking the detour will delay your entrance to the attraction, so it’s a fair guess that first-time visitors will opt to skip the special queue.
Pick your poison.
What’s in it? Only the single greatest assemblage of tributes and homages in the entire Walt Disney World! Every tombstone in here – and there are a lot of them – is brimming with tributes. Let’s do this as a photo tour, shall we?
The “Dread” family – reading the inscriptions, you can decipher how they all killed each other.
Tribute to Imagineer Marc Davis (there’s one for X. Atencio just after this).
Musical notes play when hands come close.
Kids may want to play the keys to get sprayed by water mist, but I’m only looking at the
tribute to voice actor Thurl Ravenscroft, (he's the broken graveyard bust in the Mansion).
The backside of the musical notes is also musical, but these designs harken back to Rolly
Crump’s original ideas for a “Museum of the Weird” rather than a traditional haunted house.
"Good friend Gordon" is Gordon Williams, an audio designer for the Mansion; "Brother Dave"
is David Burkhart, a modeler and show designer; and "A man named Martin" is Bud Martin,
once a VP of design at WED. Other Imagineers include Chuck Myall and Harriet Burns.
The “plots” are too small to hold actual bodies, but that’s a small quibble. In this photo
you can also see the captain’s crypt, which shoots water at visitors.
Near the captain is a ring embedded in the concrete. This is a tribute to “fan-created” mythos!
In the exit corridor used to be an old metallic remnant of a queue pole, but it looked like a ring,
so fans invented a story about the bride throwing out a ring from a window. That old “ring” is
gone, but this new (real and intentional) ring in the queue pays homage to the fan story. Neat!
The books move. If you push one in, another pushes out. Those symbols (inset, bottom right)
are not explained anywhere, but by hard work and brute force, Ricky Brigante cracked the code!
“Welcome home, you foolish mortal / This mansion is your mystic portal / Where eerie
sights and spooky sounds / Fill these happy haunting grounds.”
You’re supposed to be able to shout a word out
to complete the writing in the book,
but this never works well when I see it.
Singing busts Chuck Shroeder (Cousin Algernon) and Jay Meyer (Ned Nub), plus Hitchhiking
Ghosts Gus, Ezra, and Phineas Pock. Around the corner was Paul Frees, Ken Anderson, Rolly Crump,
and Blaine Gibson. Up ahead is Collin Campbell (who did CD artwork) and ‘Prudence Pock’ –
a reference to Phineas Pock? The final set includes Cliff Huet, Wathel Rogers, Marty Sklar,
Fred Joerger, Dorothea Redmon, Claude Coats, and Leota Tooms.
The criticism online seems centered on the tone of the tributes. Specifically, in that it introduces a whimsical overlay to what used to be a somber part of the experience. On the surface, that makes sense. The first half of the Mansion has always been scary-spooky, while the second half is more whimsical—a reflection of the competing designs for the Mansion in the immediate aftermath of Walt Disney’s death in 1966. Designers back then ended up using both ideas (first scary, then less so). A new “first act” changes the dynamic of the ride.
I think the concerns are overblown. I’ll agree that the altered tone would affect a first-timer, but the reality is that first-timers won’t elect to wait in a longer, optional queue. They’ll go for the shorter, original queue… and they’ll get the original experience. The only people waiting in the new queue will be those who ALREADY know the ride. There are no spoilers for them, and it won’t matter what tone they see and in what order. The whimsy of the new queue works “with” the cultural construct that is the Haunted Mansion (in the minds of experienced riders), not against it. |